Friday, May 17, 2013

Book covers/Gatsby and myself




Of course we should not judge a book by its covers, but is it possible to really believe that covers are not at all important? Years of research are put into everything that sells a product (from magazines to socks and cereals; by the by, I tend to buy the cereals that have a jar of honey on the box, which for me is the most natural product there is, and I run away from the ones sold by images like happy teddy bears, green dinosaurs, or are in a combination of pink and blue, for I associate the later with the sugary taste preferred by kids under 10. If I buy cereals, better be the serious ones, the adult version, I tell myself...unconsciously)


You'd say that "The Great Gatsby by Scott Fitzgerald" written in 18-black-Times New Roman font on a white cover is enough to sell the book. Who needs a pretty jacket to pick it up and read it?


Everything - the image, the size of the title, the paper's texture and shade, the color of the fonts - is part of a meticulously put together project (I don't know where I picked this up, buy I liked it from the start: books as projects) If what is in the book is decided by the writer, the cover belongs to what is in front of the book (audience), around the book (culture), and behind the book (publishing company, market studies.) Needless to say, the writer has no say. Except Gatsby's. Read the story of one of the most famous covers (the sad eyes on the upper left.)

However, books' covers change with time due to the competition among publishing companies, but also to keep the book in line with the new generations. Culture is important. The book will have a different cover in France, USA, and China. What appeals:  'the love that commands' or 'the love that obeys'? (Balzac) While the cover must be representative for the content, it must also have relevance for the targeted population. Choosing between the drawing of a man from the 60s dressed in a shinny suit and wearing a hat, while smoking a cigar and holding a glass (of whiskey or champagne? - the first might make him too tough but also shows his Alpha-ness, the second might enhance his sophistication but might also make him look 'too gay'), sends a different message than the picture of a couple holding hands; and these two are very distinct from that of a woman in tears.
Picture on the right - The Great Gatsby Covers: Couples, Men, Women, Other Symbols. Click on pic for larger view
 

Covers are showing off. In a million books at B&N, like in beauty pageants, they scream pick me! me! me! Something that is working for Russians might be irrelevant for Mexicans. Picture above - covers from three different countries. The Chinese version decided to be culture-ambiguous and it makes sense: the other two alternatives for the publisher would have been to (1) some figures of white Americans or (2) to fall into ridicule by replacing the western stereotyped silhouette(s) with Chinese characters. Therefore, the cover does neither; it ends up being kind of faithful to the Asian culture by the usage of some floral pattern. On the other hand, the French preferred the drama of impossible romance: the picture of a fashionable couple, heavenly relying on body language, and keeping it black-and-white classic.

While the text is essentially the same (in English, at least), our interpretation of the reading is subjective the each and everyone's background. The cover also plays an important role: we read it differently just because the image on the cover is refreshed with every time we open the book. The image, thus, becomes the lens through which we read. In the end, how does cover (because it does) influence us?


As anybody who is not foreign to libraries, I was always attracted by covers, consciously or not, but even more so lately since I am the cover of a poetry book authored by Romanian poet/editorialist/novelist Octavian Hoandra. I don't know why he chose (in Romania, the negotiation writer-publisher is possible for various reasons that will be left out of this conversation) - as I was saying, I don't know why he chose this photograph to be the business card of his book. But I am thankful and grateful, and I hope the cover does its intended job, to attract the costumers' attention, to inspire, and be a good reading lens ....(And the photographer in me is growing ego every time I look at it - it is a self-portray) Buy the little book HERE


The Romanian version                /              the French translation                /      the original B&W film photo 35mm Canon